“In 2011 I was invited to create a piece for an exhibition called “Ctrl-Z” curated by 3d artist
Eric Van Straaten. This was a group exhibition of artworks created by various 3d printing processes.
The model of the skull was generated from a friend’s dental tomography scan. The form of the object was created by creating an array of copies of the skull, where each successive copy of the skull is scaled, rotated, and moved. The skull starts at life size at the front and ends up rotated 180 degrees and two times larger than life at the back.”
Movement and interactive relationship with the body has been the most important element throughout my body of work. However through these works, I also started to explore the mechanical structure as a form. Mechanical structure becomes the most enjoyable form to me as it becomes complex yet remains simple and coherent. The contrast between metal structural form and natural feather, together with the repetitive and whimsical movements of fragile wings, provokes the imagination and evolves the intimate relationship between work and viewer/wearer. Although the recent series, segmented wings have been focused on the formal challenge to engineer an intricate movement that simulates bird wings, these works are intended to be a series of poems in which I develope my own formal language, interpret the nature of wings, create various structural forms with movements, and share the metaphor, imagination, humor, with viewer/wearer.
An ionized gas region located in the constellation Cepheus about 2,400 light years away from Earth; it is commonly called the Elephant’s Trunk nebula because of its appearance at visible light wavelengths, where there is a dark patch with a bright, sinuous rim.